A cheap and reactionary film. There is no "redemption" here, but "hope" (the hope of what?). What happens the next day, when parole officers catch up with Red? What happens to bringing the real culprit of Andy's wife behind the bar? Where is the PTSD of an "institutional man?" There is no deep critique of prison economy here, nor that of America's CJS (all we have is a few corrupt officials outsmarted by a banker who of course ran away w all the money and is praised for it, sounds familiar?). The completely implausible "figaro" sequence cheapens the real struggle for freedom. All of this is the stuff of cheap Hollywood.
一个连续挂掉艺术课的艺术家一个裹在茧里独善其身的老文青一个不断融入社会并籍此长大的辣妹还有一堆边缘人单身爸爸、女巫老师、等车老人、双节棍怪蜀黍……旧日精华显得那么格格不入流行文化日益咄咄逼人生活被现实胁迫自我泯灭于人群可是什么才是自我一时半会难下结论为什么是日本在线国产中文无导演说："a ghost of what it used to be."——为斯嘉丽找这片子找了好多年终于看到时少女寡姐远不是最大亮点大喜过望大喜过望
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